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Here is a poem I shared this morning with my hospice team.  I came across this poem in a book I just starting reading this morning, In the Valley of the Shadow, by James Kugel.  I might have more to say about the book at another time.  Here is the blurb about the book from Amazon’s website. 

TEN YEARS AGO, Harvard professor James Kugel was diagnosed with an aggressive, likely fatal, form of cancer. “I was, of course, disturbed and worried. But the main change in my state of mind was that the background music had suddenly stopped—the music of daily life that’s constantly going, the music of infinite time and possibilities. Now suddenly it was gone, replaced by nothing, just silence. There you are, one little person, sitting in the late summer sun, with only a few things left to do.”Despite his illness, Kugel was intrigued by this new state of mind and especially the uncanny feeling of human smallness that came with it. There seemed to be something overwhelmingly true about it—and its starkness reminded him of certain themes and motifs he had encountered in his years of studying ancient religions. “This, I remember thinking, was something I should really look into further—if ever I got the chance.”

In the Valley of the Shadow is the result of that search. In this wide-ranging exploration of different aspects of religion—interspersed with his personal reflections on the course of his own illness—Kugel seeks to uncover what he calls “the starting point of religious consciousness,” an ancient “sense of self” and a way of fitting into the world that is quite at odds with the usual one. He tracks these down in accounts written long ago of human meetings with gods and angels, anthropologists’ descriptions of the lives of hunter-gatherers, the role of witchcraft in African societies, first-person narratives of religious conversions, as well as the experimental data assembled by contemporary neuroscientists and evolutionary biologists.

Though this different sense of how we fit into the world has largely disappeared from our own societies, it can still come back to us as a fleeting state of mind, “when you are just sitting on some park bench somewhere; or at a wedding, while everyone else is dancing and jumping around; or else one day standing in your backyard, as the sun streams down through the trees . . . ” Experienced in its fullness, this different way of seeing opens onto a stark, new landscape ordinarily hidden from human eyes.

Kugel’s look at the whole phenomenon of religious beliefs is a rigorously honest, sometimes skeptical, but ultimately deeply moving affirmation of faith in God. One of our generation’s leading biblical scholars has created a powerful meditation on humanity’s place in the world and all that matters most in our lives. Believers and doubters alike will be struck by its combination of objective scholarship and poetic insight, which makes for a single, beautifully crafted consideration of life’s greatest mystery.

Here is the poem he quotes from Rainer Marie Rilke.

The Merry-Go-Round
Luxembourg Gardens

With a roof and its shadows dark turns
for a small moment the assembly
of colorful horses, all from that land
that hesitates long before it descends.
True, many are harnessed to the wagon,
yet still they all have courage in their faces;
a fierce, angry lion is one among them
and then and again a pure white elephant.

An elk is there, just like in the woods,
but now he wears a saddle on his back
and in it is tied a little girl in blue.

And on the lion rides dressed in white a boy
and a small, passionate hand himself does hold
while the lion roars and shows his tongue and teeth.

And then and again a pure white elephant.

And on the horses around again they come,
the girls, bright, all but grown too big
for such prancing; in the middle of the swing,
out they look, to somewhere, over there—

And then and again a pure white elephant.

And it goes on and hurries to its end,
and circles about itself and has no goal.
A red, a green, a gray is sent along,
an outline small and hardly yet begun—
And sometimes a laughing face will turn again,
a blessing, that dazzles and just as quickly fades,
in this blind, breathless play . . .

   (all tr. Cliff Crego)

 

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